Piano Tuning
--Action Performance Enhancement
Many piano actions greatly benefit
from weight redistribution, geometric changes
(changes in position of the levers involved in getting
the hammer to the string,) weight addition or
reduction, parts repositioning, or a combination of
the above coupled with precise action regulation.
If you recently purchased a new grand piano, and the
action feels stiff, sluggish, or bound somehow,
Your piano may be a candidate for this work.
We've done this kind of custom action
tweaking for years, to dozens of piano actions, and our
results are very consistent and repeatable. Piano work
not voodoo; it's engineering, science and
intuitive craft together. The old myths that a
piano "feels like it feels" or that its touch, its feel,
will fundamentally change once you "break it in" are,
now, just pemicious old myths-now, we can focus the
touch, the spielart of an action in a very
precise way, so that a player can, in effect, "dial
in," by means of communication and work with us,
just what he or she wants in terms of lightness
or heaviness of touch, amount of
resistance, and ease of repetition. We use
the non-proprietary
Stanwood protocols for evaluating the function
of an action, which is based on measuring weight--which
is what a pianist feels--rather than distance. We
have found this to be an exponential improvement in the
control we have over how an action feels.
If you go to a piano seller and play
a rebuilt Steinway, it should feel light but not
too light - and resistant, but not too resistant:
substantial, fast and responsive, right then, to your
fingers. If it doesn't, there's a good chance the work
is "B" or "C" quality, as opposed to the "A+"
quality of a custom restoration. A real good
chance. One revealing strategy is to ask the seller for
a complete list of the parts and protocols used
to restore the instrument, and see what the reaction is.
--Maintenance
--Tuning is the basis of what
we do. My tuning system, whole-tone, open-string tuning,
is what
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Piano Tuning